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Poslao: 02 Jan 2010 18:29
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- tuzor
- Legendarni građanin
- Pridružio: 03 Sep 2007
- Poruke: 4115
- Gde živiš: U Kraljevstvu duha
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Kira O'Rajli (Kira O'Reilly), a naziv performansa bi trebalo da bude "Inthewrongplaceness".
Citat:In 2003 and 2004, she undertook a residency with SymbioticA, a bio-art project based in the department of Human Anatomy, University of Western Australia. She has received several major commissions and in 2001 was invited to produce work for Span2 international performance art residency in London. Her work often involves the cutting of her skin, and recent pieces have also involved animals, including leeches and pigs.
http://en.wikipedia.org/wiki/Kira_O%27Reilly
Citat:Inthewrongplaceness is inspired by the artist’s investigations into tissue culture during a residency at SymbioticA in 2004. The impact of working with pig’s tissue in a lab setting instigated her thoughts on the similarities between the pig’s skin and her own. By inviting audiences to touch both the human and nonhuman animal, Kira O’Reilly encourages them to engage with the complexities of the relationships between skin, touch and species.
http://humanfutures.fact.co.uk/blog/node/25
Citat:Kira O'Reilly will provide her own answer today by spending four hours naked, hugging a dead pig - at the taxpayer's expense.
The controversial Irish performance artist will invite one person at a time to watch her sit in a specially-constructed set and perform a 'crushing slow dance' with the carcass in her arms.
She claims the bizarre exhibition is an attempt to 'identify' with the pig, which she cuts with a knife during the show.
Visitors to the Newlyn Art Gallery in Newlyn, Cornwall - funded by taxpayers and the lottery - will be allowed to watch her for ten minutes. The gallery has defended its decision to stage the one-off show, but animal rights campaigners have labelled the performance 'sick'.
http://blackcatbone.blogspot.com/2006/09/blake-gopnik-and-naked-women.html
I još par sličica i linkova:
http://images.fact.co.uk/mktg/skinterfaces/KiraOReilly2.jpg
http://www.ibmc.up.pt/hybrid/content.php?menu=6&submenu=43
http://1.bp.blogspot.com/_UCggyd2bc9c/SxLYdVgLjoI/......21.00.png
http://farm3.static.flickr.com/2028/2251889285_ec2a2bcd8a.jpg
http://www.casino-luxembourg.lu/html_fr/actualite/images/kira.jpg
Sada je došao red na mene da kažem: "Brrrrr...". 
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Registruj se da bi učestvovao u diskusiji. Registrovanim korisnicima se NE prikazuju reklame unutar poruka.
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Poslao: 02 Jan 2010 21:40
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- lidzaja
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Moon-Night Mood by Oscar Florianus Bluemner.
Oscar Florianus Bluemner was born in Hanover 21. 06. 1867. He moved to Chicago in 1893.
He committed suicide on 12.01. 1938. in South Braintree, Massachusetts.
artnet.com/artist/657729/oscar-florianus-bluemner.html
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Poslao: 03 Jan 2010 17:30
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Džon Konstabl, jedna od njegovih brojnih studija oblaka.
lidzaja ::Romantizam sa nagoveštajima impresionizma
A postavlja se i pitanje realizma:
Linda Nochlin, Realism ::If one takes the opposition between convention and empirical observation in art as a relative rather than an absolute criterion, one can see that in Realism the role played by observation is greater, that by convention smaller. John Constable's cloud studies of 1821-2 are a case in point. As Ernst Gombrich has shown, they were partly based on engravings by the eighteenzh-century water colourist Alexander Cozens. But they were still more intimately connected with Constable's own observations of the sky, both as a miller and a painter, and were also influenced by meteoreologist Luke Howard who investigated and classified cloud forms. However much he may have depended on the pre-existing schemata provided by Cozens - as Gombrich claims - Constable used Cozen's prototypes not as ready-made formulae, which with a few judicious alternations would serve to fill the top of a lanscape, but as adies memories - or, rather, adies recherches - for his own far more precisely observed representations. His cloud studies are, in fact, classified as cirrus or strato-cumulus formations and the time and place of their execution are indicated in many cases.
Constable may not have been aiming for scientific accuracy alone; but by accepting natural phenomena as the appropriate object for representation in his cloud studies, by restricting his experience to the phenomenon itself and neither interpreting it symbolicaly nor using it as a medium to express an etat d ame, he was very much an artist of the nienteenth century and one who points the way to later development within the Realist movement. It is no accident that advanced French landscape painters like Corot and Huet admired him in the thirties and forties.
http://commons.wikimedia.org/wiki/File:John_Constable_029.jpg
http://www.rc.umd.edu/reference/wcircle/wood.pdf
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).
Udžbenici kažu pre svega romantizam, ali neki drugi udžbenici kažu da je sve teže odrediti šta romantizam jeste, a šta nije. Isto važi i za ostale pravce od 18 veka naovamo.
