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Poslao: 19 Mar 2010 15:20
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Najvažnije je da si ti savladala gradivo! Odgovor tačan! Sedi - pet.
Imam sreću da sam dobila knjigu od Jovana Jovanovića Zmaja ( Đulića i đulića uveoci) koje je on ilustrovao, čudo jedno...
pinokio.blog.rs/blog/pinokio/generalna/2008/08/09/kad-djulici-uvenu....
Ljubičanstvena, da krenemo dalje...
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Poslao: 25 Mar 2010 07:16
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- tuzor
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Peter Paul Rubens, Četiri filosofa.
http://www.abcgallery.com/R/rubens/rubens68.html
Citat:The group portrait known as the Four Philosophers, which shows Rubens with three humanists, his brother Philip, Johannes Woverius and the teacher of both of them, Justus Lipsius is a typical example. Emblematic details make it clear that Rubens has shown himself with the three humanists in order to express the underlying moral principles of Stoic philosophy, which were also those of the influential Lipsius and the other sitters. They are shown gathered together in homage to Seneca, one of the classical exponents of Stoicism, here represented by his bust. Finally, the ruins of the Palatine in the background show that the picture also pays homage to classical culture in the widest sense, symbolizing the resurrection in their own time of the departed glory of Hellenistic-Roman antiquity.
http://www.moodbook.com/history/baroque/rubens-por.....ilosophers
Citat:"THE FOUR PHILOSOPHERS" A portrait group of Rubens, his brother, Lipsius, and Grotius. The painter stands in the background to the left, the three others being seated at a small table covered with a cloth. In the centre, with his back close against the wall, in which is a niche with a bust of Seneca and a small vase of tulips, is Lipsius, a thin, haggard man with along pointed beard and moustache, in a gown with a wide collar of leopard's fur. His left hand rests on an open book, with the first finger extended. At his left, in profile, is Grotius, a younger man, with short beard and moustache. Both his hands are on an open book in front of him. Between Lipsius and the painter is Philip Rubens, turned half to right, but his eyes meeting ours, as he holds up his right hand with a pen in it. He is the youngest of the party, and has thick hair, pointed beard, and moustache.A landscape is seen through an opening in a curtain between the heads of Lipsius and Philip.
http://www.oldandsold.com/painters/r7.shtml
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Poslao: 25 Mar 2010 07:50
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"Rubens's unwavering devotion to the Catholic faith was matched by his lifelong adherence to Christian humanism, the reconciliation of the ancient Greco-Roman philosophers with ortodox Christianity. He was especially attracted to the Neo-Stoic philosophy of the Flemish humanist Justus Lipsius. Developed toward the end of the sixteenth century and based on the works of Seneca, Lipsius's Christianised Stoicism, emphasizing a fatalistic and serene acceptance of adversity, offered a timely spiritual response to the prolonged sufferings inflicted by the war in the Netherlands. In his letters, Rubens frequently echoed this philosophy - despite his disclaimer upon the death of his wife that he had "no pretensions about ever attaining a Stoic equanimity". He gave early witness to his personal commitment in this group portrait - commonly called the "Four Philosophers" - in which he included himself within an imagined communion of the master and his disciples.
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Behind Lipsius in parallel three-quarter profile within a stone niche is a bust of Seneca (or so it was thought to be in Rubens's day); beside it, a vase of four tulips - two in full bloom, two closed - provides the key to the commemorative nature of this group portrait. At the time of its painting, late 1611 to early 1612, both Lipsius and Philip Rubens were dead. The clematis vine entwined behind Philip is a traditional emblem, like ivy, signifying enduring affection after death.
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The "Seneca" bust is based on a replica of the Hellenistic sculpture - now thought to represent the Greek poet Hesiod - that Rubens acquired in Rome, took home to Antwerp, and installed in a niche in his sculpture rotunda before he eventually sold it to the duke of Buckingham. Its symbolism is literary: at the time Rubens undertook this painting the Plantin-Moretus Press was preparing a deluxe edition of Lipsius's "Seneca", with a title page designed by Rubens. It was published in 1615, the same year as Woverius's edition of Philip Rubens's collected writings.
Beyond these mutual associations, the Four Philosophers reflects Rubens's deep involvement in the world of books. As a commemorative group portrait, it remains unique in his work, a highly original sacra conversazione of scholars. Its compositional source is to be found not within portraiture, but in religious painting: specifically, Titian's Supper at Emmaus (Louvre, Paris), which shows the resurrected Christ's reunion with two disciples at a table. Rubens substituted a rhetorical gesture for one of blessing as the sacramnet meal is here replaced by a literary feast, with the artist in place of the servant/witness. Shortly afterward, Rubens reapplied the symbolic grouping to a thematically related subject, the Four Evangelists (Bildergalerie, Postdam-Sanssouci), in which the three synoptic authors are seated at a table - books and quilla at hand - while the youngest apostle, John, stands at the side."
Charles Scribner III, Rubens
Ovo je bio Rubensov debi na kvizu. Tuzor, sad kao veteran, nastupaš ti. 
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Poslao: 26 Mar 2010 21:12
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Tuzor daj neku pomoć! Ali daj malu pomoć, još da se mučimo.
Ja pretpostavila da je tema Alegorija vrline, ali Google images neće da sarađuje. 
Gde je slikar bio aktivan, u Parmi, Rimu ili nekom drugom centru? El uopšte Italijan? Sam kraj 16. veka, ili malo pre?
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Poslao: 26 Mar 2010 23:09
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Ha, uz ovu pomoć, našla!
http://www.wga.hu/frames-e.html?/html/s/samacchi/allegory.html
Oracio Samakini, Alegorija Mudrosti
Naziv Ticijanove slike se baš tako najčešće i navodi, mada sam ja drugačije zavela sliku na spisku postavljanih pitanja, tako da ti sećanje tuzor nije sasvim odbilo saradnju.
A toliko sam tragala i za "Allegory of virtue", i za "Allegory of Prudence", i kucala prudentia kao ključnu reč, ali ništa. Wisdom mi na pamet nije palo da tražim. Toliko o mojoj mudrosti.
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(u fazonu 'uciteljice, uciteljice, evo ja cu, znam, znam...kao streberka 
Umesto "delo istovetnog naziva" ispravno je "dela sličnog naziva". Tako da tvoja pretpostavka, Jelkice, i nije toliko udaljena od tačnog odgovora, i pored nekooperativnog Gugla. 
