Nije moje znanje
za takvo klicanje,
al' iz grla tvoga
duši je obloga!
Mladi umetnik nadrealističke provinijencije. Rođen u Rusiji. Kasnije je južna Nemačka ostavila traga na njegov umetnički kredo (gde značajan deo pripada i rokenrolu), a još kasnije - i istočnjačka filosofija.
Да, да... А због овог са YouTube остадох без даха!
Придружујем линк, на коме је и биографија овог изузетног уметника:
http://www.coastgallery.com/Michael_Cheval/
и још само ово:
Citat:Michael Cheval is extraordinary. He is a surrealist painter born in 1966, living in New York.
He speaks of his own work in terms like Nature of Absurdity, Eternity of Absurdity, Sense of Absurdity. so often he uses this term, it is clear that the absurdity is the essence of his work.
But don’t get me wrong. You should not expect to find sarcastic or pejorative references to other works or to the absurdity of the reality. He is creating absurdity, not ridiculing it. He cultivates absurdity as Eugen Ionesco did, or G.K. Chesterton. Or, even better, as Serge Brussolo.
I love Dali and I don’t dare comparing them but Dali and Cheval bear comparison.
http://faltiska.net/artblog/?p=178&language=en
Tačno. I odmah da kažem - tuzor, daj sledeće pitanje - jer će se post zašareniti, pa tuzor možda neće moći da se snađe
Dvojica kao jedan umetnik, zapravo kao umetničko delo. Gilbert and George su shvatili da za umetnost nije potreban materijal, i rešili su da sebe proglase umetnošću. To podrazumeva savršenu sinhronizaciju i neverovatnu doslednost u njihovom svakodnevnom životu u Ist Endu, koji je već 40 godina umetnički kontinuum. Na fotografiji iz pitanja je jedan od njihovih prvih performansa, tokom kog su se predstavljali kao žive, pevajuće skulpture (uz Underneath the Arches muzičku pratnju). Nakon performansa, okreću se uglavnom crtežu i fotografiji kao sredstvima izražavanja. Karakterišu ih tipična britanska konzervativnost i britanska ekscentričnost (mada Gilbert uopšte nije Britanac), ali intenzivirana, i konstantno provokativna. Pre par godina imali su veliku retrospektivnu izložbu u Tate Modern galeriji.
George ::Each of our pictures is a kind of visual love letter from us to the viewer, and that it is the space between the viewer and the picture that makes art, the thoughts and feelings that go through the person when examining the subjects in the picture, so we want to make pictures that are – as we always said from the earliest day – art for all, so that we can address people wherever they come from, whatever their educational background, whatever their nationality or whatever their religion, we still feel we can form a friendship with that viewer, because we are only dealing with the universal subjects anyway. Death, hope, life, fear, sex, money, race, religion, these are all things that are relevant to everybody, wherever they live.
http://www.tate.org.uk/modern/exhibitions/gilberta.....cript.html