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Poslao: 28 Okt 2009 02:10
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- Pridružio: 07 Avg 2008
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Moris Utrilo, Katedrala u Šartru 
Dok ja odgonetnem potpis, sitno mnogo 
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Poslao: 28 Okt 2009 02:20
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- Sorelag
- Prijatelj foruma
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Rekoh ja, teško je naći njegovu sliku, ako ne nepotpisanu, onda neku na kojoj je potpis nerazgovetan.
Moris Utrilo, francuski slikar s početka 20. veka, uglavnom posvećen gradskim prizorima i pejzažima. Zanimljiv, poetičan čak i kad slika mračnije strane urbanog života (radničke četvrti, periferiju, fabrike, ulice...); kažu da ga je teško kategorizovati i situirati u određeni pravac. Izgleda da je bavljenje slikarstvom imalo terapeutsku ulogu u njegovom ličnom životu.
http://www.artcyclopedia.com/artists/utrillo_maurice.html
http://mushecht.haifa.ac.il/hecht/art/Artist-Collection-eng.aspx?id=25
Izvoli, jekice 
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Poslao: 28 Okt 2009 16:55
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- tuzor
- Legendarni građanin
- Pridružio: 03 Sep 2007
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Џон Френч Слоан (John French Sloan), амерички сликар, члан Осморице (или Групе осам), као и Ешкен школе, и његово дело McSorley's Back Room.
http://www.artchive.com/artchive/S/sloan/sloan_back_room.jpg.html
http://www.chibarproject.com/Reviews/McSorley%27s/McSorley%27s.htm
http://www.chibarproject.com/Reviews/McSorley%27s/.....nSloan.jpg
http://en.wikipedia.org/wiki/Ashcan_School
Citat:Sloan has been called "the premier artist of the Ashcan School who painted the inexhaustible energy and life of New York City during the first decades of the twentieth century", and an "early twentieth-century realist painter who embraced the principles of socialism and placed his artistic talents at the service of those beliefs."
. . .
Whenever Sloan was asked about the social context of his paintings or about his association with Socialism, he said that they were done with "sympathy, but no social consciousness." "I was never interested in putting propaganda into my paintings, so it annoys me when art historians try to interpret my city life pictures as 'socially conscious.' I saw the everyday life of the people, and on the whole I picked out bits of joy in human life for my subject matter."
http://en.wikipedia.org/wiki/John_French_Sloan
Citat:Harsh, dirty New York, 0. Henry's "Baghdad on the Hudson," had its demotic refuges: the new movie houses, the dance halls, and, very important for Sloan, McSorley's Ale House, a dimly lit, sawdust floored, working class Irish tavern from which women were banned and whose eccentric annals would be recorded by Joseph Mitchell in his essay "McSorley's Wonderful Saloon." Sloan drank there regularly. It was to him and some of his friends what the more exalted Century Association was to the likes of Augustus Saint Gaudens. Some of his sketches still hang on its encrusted walls.
http://www.artchive.com/artchive/S/sloan.html
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Poslao: 28 Okt 2009 17:10
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offline
- Pridružio: 07 Avg 2008
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Komplet odgovor, ostaje mi samo da predam štafetu. 
Izvoli tuzor
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